Orchestra

High School Orchestra

Upon further review of NMEA’s policy on the requirement of proof of COVID-19 vaccination status, the board has made the decision to keep our current policy in place.  This requires that all participants involved in All-State to be fully vaccinated by March 1st for participation in the 2022 Nevada All-State conference with no exemptions granted.  Due to our inability to predict how the pandemic will progress during the coming months, as well as our inability to guarantee testing availability and results, we believe that this is the safest way to provide an in-person event to which participants will be traveling from across the state of Nevada.  The Nevada Music Educators Association has adopted this policy on mandatory vaccination to safeguard the health of our students and members from the hazard of COVID-19. 

Audition Materials Available

  • Music excerpts are below. Please, click the instrument you wish to audition for to download the excerpts.

  • Audition Information

Audition Paperwork

Deadlines to know: 

  • Audition registration ends FRIDAY, JANUARY 21
  • Students must have had their first COVID vaccine dose by their audition
  • Students must be fully vaccinated by March 1, 2022

NMEA Vaccination Statement

Chairpersons

Southern Nevada –

Eric Maine

maineea@nv.ccsd.net

Northern Nevada –

Brian Fox

bfox@carson.k12.nv.us

Violin   Viola   Cello   Bass
      Harp     Piano      

Guest Conductor

Australian conductor Carolyn Watson has been based in the United States since 2013 during which time she has led performances with Austin Symphony, Catskill Symphony, Detroit Symphony Civic Orchestra, Interlochen Philharmonic, Kansas City Ballet, Kansas City Chamber Orchestra, St. Joseph Symphony and World Youth Symphony Orchestra. The 21-22 season will see the commencement of her tenure as Music Director of the La Porte County Symphony Orchestra in Indiana. Recruited internationally as Music Director of the Interlochen Arts Academy Orchestra, she won the 2015 American Prize for Orchestral Performance with this ensemble, also collaborating with soloists including Mark O’Connor and Alexandre Tharaud during her tenure. Carolyn continues to enjoy an ongoing association with Interlochen as conducting faculty at Interlochen Arts Camp and for Interlochen Online.

An experienced conductor of opera, 2021 sees Carolyn lead Hansel and Gretel for Amarillo Opera and Fellow Travelers at Des Moines Metro Opera, along with a production of As One. Most recently she conducted ‘And Still we Dream’ for the Lyric Opera of Kansas City, her third engagement for the Lyric in as many years. This production was featured in the Emmy-Award winning PBS documentary, Higher Octaves: Leading Women in the Arts. In 2019 she was engaged to conduct the world premiere of Gordon Getty’s opera at Festival Napa Valley, and in 2017 Carolyn was one of six conductors selected for the Hart Institute for Women Conductors, where she led the Dallas Opera in two public performances.

A committed music educator, Carolyn currently serves as Director of Orchestral Studies at The University of Kansas whilst continuing to enjoy an active freelance career throughout the US, Europe and Australia. Notable European credits include Infektion!, a festival of modern theatre celebrating the works of John Cage at the Staatsoper Berlin, conducting musicians of the Berlin Philharmonic in Interaktion, a residency at the Israeli National Opera, and assisting Sir Charles Mackerras on his final two productions at The Royal Opera, Covent Garden and Glyndebourne. Additional international conducting credits include the Brandenburger Symphoniker, BBC Concert Orchestra, Budapest Operetta Theatre, Bulgarian State Opera Bourgas, Duna Szimfonikus Budapest, North Czech Philharmonic Orchestra, Kammerphilharmonie Graz, Kodály Philharmonia Debrecen, Mihail Jora Philharmonic Romania, Savaria Symphony Orchestra, Scottish Chamber Orchestra, and in Russia, the St. Petersburg Chamber Philharmonic. In Australia she has led the Darwin Symphony, Sydney Philharmonia Choirs, Melbourne Youth Orchestra, Sydney Symphony, Tasmania Discovery Orchestra and Willoughby Symphony. Carolyn was a Fellow of the American Academy of Conducting at the Aspen Music Festival where she studied with David Zinman, and has participated in master classes with Marin Alsop, Peter Eötvös, Yoel Levi, Martyn Brabbins and Alex Polishchuk.

A major prizewinner at the 2012 Emmerich Kálmán International Operetta Conducting Competition in Budapest, Carolyn is the recipient of a number of prestigious national and international awards for young conductors including the Brian Stacey Award for emerging Australian conductors, Sir Charles Mackerras Conducting Prize awarded via the Australian Music Foundation in London, Opera Foundation Australia’s Bayreuth Opera Award and Berlin New Music Opera Award and the Nelly Apt Conducting Scholarship. She is the beneficiary of support from the American Australian Association’s Dame Joan Sutherland Fund and a Sheila Pryor Study Grant from the Australian Opera Auditions Committee. She is also a Churchill Fellow, and was the recipient of a Creative Fellowship from the State Library of Victoria.

Carolyn holds a PhD in Performance (Conducting) from the University of Sydney where she studied under Imre Palló. The subject of her doctoral thesis was Gesture as Communication: The Art of Carlos Kleiber. 

www.carolyn-watson.com

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